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Riff Tone
Спокойная ночь
Kino
Guitarrock1980s
Original Gear
GuitarYamaha SG200 (1980s Japanese model, as used by Yuri Kasparyan on 'Gruppa Krovi' and 'Zvezda po imeni Solntse' era recordings, highly likely for 'Спокойная ночь' 1989 studio version)
AmpRoland Jazz Chorus JC-120 (most likely, based on period-correct Soviet/post-punk studio setups and Kasparyan's known use in late 1980s Kino recordings)
Amp Settings
gain0
bass6
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Notes
Studio recording, 1989 album version. No evidence of pedal use for riff section; clean amp with possible amp reverb. No evidence of live/touring rig for this specific recording.
Tone Character(10)
bright and glassyslight chorus shimmertight and percussive attackclear note separationarticulate midsmodest amp reverbno audible overdrivebridge pickup biteopen, ringing chordspost-punk/new wave clarity
Difficulty
The riff is based on open chords and clean picking, requiring accuracy and timing but no advanced techniques or fast passages.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarYamaha SG200 (1980s Japanese model, as used by Yuri Kasparyan on 'Gruppa Krovi' and 'Zvezda po imeni Solntse' era recordings, highly likely for 'Спокойная ночь' 1989 studio version)
AmpRoland Jazz Chorus JC-120 (most likely, based on period-correct Soviet/post-punk studio setups and Kasparyan's known use in late 1980s Kino recordings)
Amp Settings
gain0
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1989 album version. No evidence of pedal use for riff section; clean amp with possible amp reverb. No evidence of live/touring rig for this specific recording.
Tone Character(10)
bright and glassyslight chorus shimmertight and percussive attackclear note separationarticulate midsmodest amp reverbno audible overdrivebridge pickup biteopen, ringing chordspost-punk/new wave clarity
Difficulty
The riff is based on open chords and clean picking, requiring accuracy and timing but no advanced techniques or fast passages.