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Riff Tone

all that's left of you (swan song)

edith pike

Guitarmetal2010s+

Original Gear

GuitarUnknown (no direct source for Edith Pike's guitar on this recording; likely a solidbody electric based on genre and tone)
AmpUnknown (no direct source for Edith Pike's amp on this recording; likely a high-gain British-style tube amp based on genre and tone)

Amp Settings

gain6.5
bass6.5

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Effects & Signal Chain

Notes

No direct sources confirm the exact guitar, pickups, or amp used by Edith Pike on the studio recording of 'all that's left of you (swan song)'. All available sources discuss Matt Pike's gear, not Edith Pike. Settings and gear are estimated based on genre (doom/stoner metal), era (2010s+), and typical production style. Studio context inferred.

Tone Character(10)
massive low endthick and saturated distortiontight and percussive attackbig midrange presencesludgy and heavywall of soundaggressive palm mutingsustained power chordsslightly scooped highsminimal ambience

Difficulty

The riff requires solid palm muting technique, precise timing to maintain the heavy groove, and control over high-gain noise and feedback. While not extremely technical, it demands intermediate-level control and stamina.

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