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Distorted Tone
Animal I Have Become
Three Days Grace
Bassrock2000s
Original Gear
BassFender Precision Bass (likely, but not 100% confirmed; Brad Walst is known for using a P-Bass live and in studio in this era)
AmpAmpeg SVT Classic (inferred from era, genre, and common usage by Brad Walst; no direct source for this song's session, but Ampeg SVT is the standard for post-grunge/alt-metal bass in 2006)
Amp Settings
gain6.5
bass5.5
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Notes
Studio recording, 2006 (album: One-X); no direct rig rundown for this song, but all evidence and genre/era point to P-Bass + Ampeg SVT setup
Tone Character(9)
aggressive pick attackgritty upper midstight low endslightly scooped lower midsclanky, percussive edgedistorted but not fuzzyclear note definitioncompressed sustainpunchy, cutting through guitars
Difficulty
The part is mostly root notes and power chords with a driving, syncopated rhythm. The main challenge is maintaining aggressive pick attack and tight timing in drop D tuning.
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Create Free AccountBassrock2000s
Original Gear
BassFender Precision Bass (likely, but not 100% confirmed; Brad Walst is known for using a P-Bass live and in studio in this era)
AmpAmpeg SVT Classic (inferred from era, genre, and common usage by Brad Walst; no direct source for this song's session, but Ampeg SVT is the standard for post-grunge/alt-metal bass in 2006)
Amp Settings
gain6.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2006 (album: One-X); no direct rig rundown for this song, but all evidence and genre/era point to P-Bass + Ampeg SVT setup
Tone Character(9)
aggressive pick attackgritty upper midstight low endslightly scooped lower midsclanky, percussive edgedistorted but not fuzzyclear note definitioncompressed sustainpunchy, cutting through guitars
Difficulty
The part is mostly root notes and power chords with a driving, syncopated rhythm. The main challenge is maintaining aggressive pick attack and tight timing in drop D tuning.