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Clean Tone
Architecture of Aggression
Megadeth
Bassmetal1990s
Original Gear
BassJackson Concert Bass (early 90s, likely custom, P/J pickups)
AmpAmpeg SVT-II Pro (studio, 1992 era, confirmed for Countdown to Extinction sessions)
Amp Settings
gain0
bass5
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Notes
Studio recording, 1992, Countdown to Extinction album. Ellefson used Jackson Concert basses with P/J pickups and Ampeg SVT-II Pro amps in the studio for this era. Clean section specifically requested.
Tone Character(10)
tight low endclear, articulate attackslight mid scoopno audible drivefast transient responsefocused and punchystudio claritydistinct pick attackfull-rangemodern metal clean
Difficulty
The clean section is not technically demanding but requires precise pick technique and timing to maintain clarity and punch in a dense mix. Moderate difficulty due to the need for clean, articulate playing and dynamic control.
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Create Free AccountBassmetal1990s
Original Gear
BassJackson Concert Bass (early 90s, likely custom, P/J pickups)
AmpAmpeg SVT-II Pro (studio, 1992 era, confirmed for Countdown to Extinction sessions)
Amp Settings
gain0
bass5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1992, Countdown to Extinction album. Ellefson used Jackson Concert basses with P/J pickups and Ampeg SVT-II Pro amps in the studio for this era. Clean section specifically requested.
Tone Character(10)
tight low endclear, articulate attackslight mid scoopno audible drivefast transient responsefocused and punchystudio claritydistinct pick attackfull-rangemodern metal clean
Difficulty
The clean section is not technically demanding but requires precise pick technique and timing to maintain clarity and punch in a dense mix. Moderate difficulty due to the need for clean, articulate playing and dynamic control.