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Riff Tone
Baby Got Gone
Kenny Wayne Shepherd
Guitarblues2010s+
Original Gear
GuitarFender Stratocaster (Kenny Wayne Shepherd Signature or vintage Strat, likely alder body, maple neck, rosewood fretboard)
AmpDumble Overdrive Special (studio), possibly Fender Vibroverb or Twin Reverb as secondary/backup
Amp Settings
gain4.5
bass7
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Notes
Studio recording for 'Lay It On Down' (2017); evidence from pedalboard and rig rundowns from this era. No explicit confirmation of live vs. studio differences for this track, but all cited gear is from the studio context.
Tone Character(10)
edge-of-breakup crunchfat and punchy rhythmtouch-sensitive dynamicsslightly compressed attackclear note separationwarm midrangetight low endarticulate highsorganic overdrivedynamic response to picking
Difficulty
The riff requires intermediate-level blues-rock technique, with tight timing, dynamic picking, and some muting, but does not involve advanced soloing or complex chord voicings.
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Create Free AccountGuitarblues2010s+
Original Gear
GuitarFender Stratocaster (Kenny Wayne Shepherd Signature or vintage Strat, likely alder body, maple neck, rosewood fretboard)
AmpDumble Overdrive Special (studio), possibly Fender Vibroverb or Twin Reverb as secondary/backup
Amp Settings
gain4.5
bass7
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording for 'Lay It On Down' (2017); evidence from pedalboard and rig rundowns from this era. No explicit confirmation of live vs. studio differences for this track, but all cited gear is from the studio context.
Tone Character(10)
edge-of-breakup crunchfat and punchy rhythmtouch-sensitive dynamicsslightly compressed attackclear note separationwarm midrangetight low endarticulate highsorganic overdrivedynamic response to picking
Difficulty
The riff requires intermediate-level blues-rock technique, with tight timing, dynamic picking, and some muting, but does not involve advanced soloing or complex chord voicings.