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Riff Tone
Bad, Bad Leroy Brown
Jim Croce
Guitarrock1970s
Original Gear
GuitarMartin D-18 (1970s, acoustic)
AmpNone (acoustic recorded with microphone in studio)
Amp Settings
gain0
bass3
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Notes
Studio recording, 1973. The riff section is played on a Martin D-18 acoustic guitar, mic'd in the studio. No evidence of electric guitar, pickups, or amplifier use for the main riff. No pedals or effects used. All sources and isolated tracks confirm acoustic-only approach for the riff.
Tone Character(10)
natural and woodybright and articulatepercussive strummingclear and unprocessedwarm midrangedynamic attackopen and resonantslight room ambienceno artificial colorationclassic singer-songwriter acoustic sound
Difficulty
The riff requires a steady, syncopated strumming pattern and quick chord changes, but uses open chords and no advanced techniques, making it accessible to most players with some experience.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarMartin D-18 (1970s, acoustic)
AmpNone (acoustic recorded with microphone in studio)
Amp Settings
gain0
bass3
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1973. The riff section is played on a Martin D-18 acoustic guitar, mic'd in the studio. No evidence of electric guitar, pickups, or amplifier use for the main riff. No pedals or effects used. All sources and isolated tracks confirm acoustic-only approach for the riff.
Tone Character(10)
natural and woodybright and articulatepercussive strummingclear and unprocessedwarm midrangedynamic attackopen and resonantslight room ambienceno artificial colorationclassic singer-songwriter acoustic sound
Difficulty
The riff requires a steady, syncopated strumming pattern and quick chord changes, but uses open chords and no advanced techniques, making it accessible to most players with some experience.