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Riff Tone
Beggars & Hangers-On
Slash's Snakepit
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Standard 1959 replica (Kris Derrig build)
AmpMarshall JCM 2555 Silver Jubilee
Amp Settings
gain0
bass6
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Notes
Studio recording, 1994-1995 for 'It's Five O'Clock Somewhere' by Slash's Snakepit. Clean tone sections are rare for Slash, but the Les Paul and Silver Jubilee were his main studio gear for this album. No evidence of alternate guitars or amps for clean sections.
Tone Character(10)
warm and roundedglassy highsarticulate and dynamicslightly scooped midsstudio-clean with subtle reverbno breakup or drivetouch-sensitiveclassic rock clean (Marshall, not Fender)full-bodied lowsno modulation or time-based effects
Difficulty
The clean riff requires precise picking and dynamic control to maintain clarity and articulation, but does not involve advanced techniques or fast passages.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Les Paul Standard 1959 replica (Kris Derrig build)
AmpMarshall JCM 2555 Silver Jubilee
Amp Settings
gain0
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1994-1995 for 'It's Five O'Clock Somewhere' by Slash's Snakepit. Clean tone sections are rare for Slash, but the Les Paul and Silver Jubilee were his main studio gear for this album. No evidence of alternate guitars or amps for clean sections.
Tone Character(10)
warm and roundedglassy highsarticulate and dynamicslightly scooped midsstudio-clean with subtle reverbno breakup or drivetouch-sensitiveclassic rock clean (Marshall, not Fender)full-bodied lowsno modulation or time-based effects
Difficulty
The clean riff requires precise picking and dynamic control to maintain clarity and articulation, but does not involve advanced techniques or fast passages.