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Riff Tone
Beyond the Realms of Death
Judas Priest
Guitarmetal1970s
Original Gear
GuitarGibson Les Paul Custom (1970s, likely black finish, as used by Glenn Tipton on Stained Class album)
AmpMarshall JMP 2203 (100W Master Volume head, late 1970s, likely with Marshall 4x12 cabinet, Celestion speakers)
Amp Settings
gain7
bass5.5
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Notes
Studio recording, 1977-1978 (Stained Class album). Gear based on period interviews, photos, and genre/era consensus. No evidence of pedals for rhythm/riff section; distortion from amp. No chorus, flanger, or delay audible in riff. Reverb likely from studio or amp if used at all.
Tone Character(10)
tight and percussivesaturated British crunchaggressive palm-muted power chordsclear note separation under gainscooped but present midspunchy attacksustained, harmonically rich chordsarticulate pick attackclassic late-70s Marshall overdrivefocused, percussive rhythm tone
Difficulty
The riff requires tight, aggressive palm muting and precise rhythm playing at a medium tempo, with clear note separation under high gain. While not technically advanced, maintaining clarity and punch at this gain level is challenging.
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Create Free AccountGuitarmetal1970s
Original Gear
GuitarGibson Les Paul Custom (1970s, likely black finish, as used by Glenn Tipton on Stained Class album)
AmpMarshall JMP 2203 (100W Master Volume head, late 1970s, likely with Marshall 4x12 cabinet, Celestion speakers)
Amp Settings
gain7
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1977-1978 (Stained Class album). Gear based on period interviews, photos, and genre/era consensus. No evidence of pedals for rhythm/riff section; distortion from amp. No chorus, flanger, or delay audible in riff. Reverb likely from studio or amp if used at all.
Tone Character(10)
tight and percussivesaturated British crunchaggressive palm-muted power chordsclear note separation under gainscooped but present midspunchy attacksustained, harmonically rich chordsarticulate pick attackclassic late-70s Marshall overdrivefocused, percussive rhythm tone
Difficulty
The riff requires tight, aggressive palm muting and precise rhythm playing at a medium tempo, with clear note separation under high gain. While not technically advanced, maintaining clarity and punch at this gain level is challenging.