Back to CommunityCreate Free Account
Solo Tone
Bin ich nur glücklich wenn es schmerzt (Live am Hockenheimring 2014)
Böhse Onkelz
Guitarrock2010s+
Original Gear
GuitarGibson Les Paul Standard (likely 1990s-2000s, sunburst finish, as used by Matthias Röhr live in this era)
AmpMarshall JCM800 (likely 2203 or 2204 head, as seen in Böhse Onkelz live rigs from the 2010s reunion era)
Amp Settings
gain7
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Live performance at Hockenheimring 2014; gear inferred from live video footage and typical Böhse Onkelz reunion-era rig. No direct rig rundown found for this specific show/solo.
Tone Character(10)
singing sustaincrunchy and harmonically richtight, focused midsarticulate note separationclassic British rock crunchmoderate gain with clarityslightly compressed attackwarm, rounded highsdynamic response to pickingno excessive high-gain fizz
Difficulty
The solo requires intermediate technique, including melodic phrasing, sustained bends, and expressive vibrato, but does not feature extreme speed or advanced shred techniques.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock2010s+
Original Gear
GuitarGibson Les Paul Standard (likely 1990s-2000s, sunburst finish, as used by Matthias Röhr live in this era)
AmpMarshall JCM800 (likely 2203 or 2204 head, as seen in Böhse Onkelz live rigs from the 2010s reunion era)
Amp Settings
gain7
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Live performance at Hockenheimring 2014; gear inferred from live video footage and typical Böhse Onkelz reunion-era rig. No direct rig rundown found for this specific show/solo.
Tone Character(10)
singing sustaincrunchy and harmonically richtight, focused midsarticulate note separationclassic British rock crunchmoderate gain with clarityslightly compressed attackwarm, rounded highsdynamic response to pickingno excessive high-gain fizz
Difficulty
The solo requires intermediate technique, including melodic phrasing, sustained bends, and expressive vibrato, but does not feature extreme speed or advanced shred techniques.