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Solo Tone

Black Magic Woman

Santana

Guitarrock1970s

Original Gear

GuitarGibson Les Paul Special (1959, likely refinished, P-90s) or Yamaha SG (early prototype, humbuckers)
AmpFender Twin Reverb (x2, studio recording, clean channel, 1969-1970 era)

Amp Settings

gain0
bass7.5

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Effects & Signal Chain

Notes

Studio recording, 1970, Abraxas album. Multiple sources debate between a '59 Les Paul Special with P-90s and a Yamaha SG prototype with humbuckers. Most credible sources and period photos suggest Les Paul Special or Yamaha SG copy. Amps were two Fender Twin Reverbs, run clean for the intro/verse/clean solo sections. Mesa Boogie Mark I was not used until later in Santana's career.

Tone Character(10)
warm and smoothrounded highsmid-heavy, phat tonesinging sustaintouch-sensitive dynamicsclear, bell-like cleansslightly rolled-off treblerich, full-bodiedorganic, natural reverbneck pickup warmth

Difficulty

The solo requires intermediate technique, with a focus on expressive bends, vibrato, and dynamic control to achieve the singing, sustaining clean tone. While not extremely fast or technically complex, the phrasing and touch sensitivity demand good control and feel.

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