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Riff Tone
Bleed Me an Ocean
Acid Bath
Guitarmetal1990s
Original Gear
GuitarGibson Les Paul Standard (likely early 90s, as used by Mike Sanchez and Sammy Duet in studio)
AmpMarshall JCM800 (studio, 1996 recording era; live DSL100s are not relevant for studio tone)
Amp Settings
gain8.5
bass6
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Notes
Studio recording, 1996 (Paegan Terrorism Tactics). No evidence of alternate guitars or amps for the riff section. Metal Zone pedal is confirmed as a major part of the sound. No evidence of modulation or time-based effects in the riff section.
Tone Character(10)
thick and saturatedtight and percussivescooped midschunky low endrazor-sharp attackmolasses-thick distortionaggressive palm mutingheavy, powerful rhythmhigh-gain saturationno audible modulation or ambience
Difficulty
The riff requires tight palm muting and precise rhythm playing at a medium tempo, but does not involve advanced lead techniques or complex chord voicings.
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarGibson Les Paul Standard (likely early 90s, as used by Mike Sanchez and Sammy Duet in studio)
AmpMarshall JCM800 (studio, 1996 recording era; live DSL100s are not relevant for studio tone)
Amp Settings
gain8.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1996 (Paegan Terrorism Tactics). No evidence of alternate guitars or amps for the riff section. Metal Zone pedal is confirmed as a major part of the sound. No evidence of modulation or time-based effects in the riff section.
Tone Character(10)
thick and saturatedtight and percussivescooped midschunky low endrazor-sharp attackmolasses-thick distortionaggressive palm mutingheavy, powerful rhythmhigh-gain saturationno audible modulation or ambience
Difficulty
The riff requires tight palm muting and precise rhythm playing at a medium tempo, but does not involve advanced lead techniques or complex chord voicings.