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Riff Tone
Bloodstone
Judas Priest
Guitarmetal1980s
Original Gear
GuitarGibson Les Paul Custom (likely 1970s/early 1980s, as used by Glenn Tipton and K.K. Downing in studio)
AmpMarshall JCM800 2203 (100W head, typical for Screaming for Vengeance era studio sessions)
Amp Settings
gain7.5
bass6
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Notes
Studio recording, 1982. No direct evidence of pedals or effects for the riff section; classic Marshall high-gain rhythm tone. Settings estimated based on era, genre, and typical Priest studio setup.
Tone Character(10)
tight and percussiveaggressive palm mutinghigh-gain saturationchunky low endarticulate pick attackslightly scooped midsBritish crunchclear note separationslight amp reverb for spaceno audible modulation or delay
Difficulty
The riff requires tight palm muting, precise picking, and maintaining clarity with high-gain settings, making it moderately challenging for intermediate players.
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Create Free AccountGuitarmetal1980s
Original Gear
GuitarGibson Les Paul Custom (likely 1970s/early 1980s, as used by Glenn Tipton and K.K. Downing in studio)
AmpMarshall JCM800 2203 (100W head, typical for Screaming for Vengeance era studio sessions)
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1982. No direct evidence of pedals or effects for the riff section; classic Marshall high-gain rhythm tone. Settings estimated based on era, genre, and typical Priest studio setup.
Tone Character(10)
tight and percussiveaggressive palm mutinghigh-gain saturationchunky low endarticulate pick attackslightly scooped midsBritish crunchclear note separationslight amp reverb for spaceno audible modulation or delay
Difficulty
The riff requires tight palm muting, precise picking, and maintaining clarity with high-gain settings, making it moderately challenging for intermediate players.