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Solo Tone
Born to Kill
Social Distortion
Guitarpunk1990s
Original Gear
Guitar1968 Gibson Les Paul Goldtop
AmpMarshall JCM800 2203
Amp Settings
gain6.5
bass6
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Notes
Studio recording, 1996. Guitar and amp confirmed for 'White Light, White Heat, White Trash' era. No direct evidence of pedals or effects for this solo, but amp and guitar are well-documented for this album and era.
Tone Character(10)
thick and mid-forwardbiting upper midspunchy and articulateslightly gritty edgesinging sustaindynamic pick attackvintage P-90 claritytouch of natural amp reverbopen and rawclassic punk crunch
Difficulty
The solo requires solid alternate picking, expressive bends, and dynamic phrasing typical of punk/rock solos, but does not involve advanced techniques or high speed.
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Create Free AccountGuitarpunk1990s
Original Gear
Guitar1968 Gibson Les Paul Goldtop
AmpMarshall JCM800 2203
Amp Settings
gain6.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1996. Guitar and amp confirmed for 'White Light, White Heat, White Trash' era. No direct evidence of pedals or effects for this solo, but amp and guitar are well-documented for this album and era.
Tone Character(10)
thick and mid-forwardbiting upper midspunchy and articulateslightly gritty edgesinging sustaindynamic pick attackvintage P-90 claritytouch of natural amp reverbopen and rawclassic punk crunch
Difficulty
The solo requires solid alternate picking, expressive bends, and dynamic phrasing typical of punk/rock solos, but does not involve advanced techniques or high speed.