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Riff Tone

Breaking the Law

Judas Priest

Guitarmetal1980s

Original Gear

GuitarGibson Flying V (K.K. Downing) or Gibson SG (Glenn Tipton)
AmpMarshall JCM800 1959 Mk II Super Lead (100W, 4-input, non-master volume head)

Amp Settings

gain7
bass5.5

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Effects & Signal Chain

Notes

Studio recording, 1980, British Steel album. Both Downing and Tipton used Marshall Super Leads. EMG 81 confirmed for Downing's Flying V by 2004, but likely not present on the original 1980 recording; more likely standard humbuckers for both. No evidence of pedals or effects used for the riff section; tone is amp-driven. Settings estimated based on era, amp, and genre. No evidence of effects loop or studio effects on the rhythm/riff section.

Tone Character(10)
tight and percussiveaggressive British crunchfocused midrange puncharticulate pick attackdry, in-your-face rhythmminimal ambienceclassic Marshall saturationmetallic, cutting edgeno audible modulation or delaypalm-muted chug

Difficulty

The riff is iconic but technically straightforward, relying on tight palm muting and rhythmic precision rather than complex technique or speed.

This tone has been researched 8 times by the community

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