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Solo Tone
Chora que a Vitória Vem (feat. Clayton Queiroz)
Fabyano Barcellos
Guitarother2010s+
Original Gear
GuitarUnknown (likely Strat-style or Superstrat electric guitar, based on genre and era)
AmpUnknown (likely Fender or Roland solid-state amp, common in Brazilian gospel studio recordings)
Amp Settings
gain5
bass6
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Notes
No direct source confirms exact guitar or amp model for this studio recording. No pedalboard or rig rundown available. Solo section analyzed from studio version. Recording year: 2020s.
Tone Character(10)
singing sustainsmooth and expressivebright and articulate high endwarm and round midrangetouch-sensitive dynamicsambient spaciousnessclear note separationmoderate compressionslightly scooped midscrystal-clear attack
Difficulty
The solo requires intermediate technique, expressive phrasing, and control of dynamics and timing to match the melodic, sustained lines and ambient effects.
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Create Free AccountGuitarother2010s+
Original Gear
GuitarUnknown (likely Strat-style or Superstrat electric guitar, based on genre and era)
AmpUnknown (likely Fender or Roland solid-state amp, common in Brazilian gospel studio recordings)
Amp Settings
gain5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct source confirms exact guitar or amp model for this studio recording. No pedalboard or rig rundown available. Solo section analyzed from studio version. Recording year: 2020s.
Tone Character(10)
singing sustainsmooth and expressivebright and articulate high endwarm and round midrangetouch-sensitive dynamicsambient spaciousnessclear note separationmoderate compressionslightly scooped midscrystal-clear attack
Difficulty
The solo requires intermediate technique, expressive phrasing, and control of dynamics and timing to match the melodic, sustained lines and ambient effects.