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Riff Tone
Church On Sunday
Green Day
Guitarpunk2000s
Original Gear
GuitarGibson Les Paul Junior (likely 1956, 'Floyd')
AmpMarshall Plexi Super Lead (1959 SLP, modded 'Dookie' spec)
Amp Settings
gain7
bass5.5
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Notes
Studio recording, 1999-2000 (Warning album sessions). Billie Joe Armstrong used his classic Les Paul Junior with a single P-90 into a Marshall Plexi Super Lead, often with the 'Dookie' mod for extra gain. No evidence of alternate guitars or amps for this song's riff section.
Tone Character(10)
tight and percussivemid-forward crunchaggressive attackarticulate upper midsdry and directminimal ambienceclassic punk drivefocused power chord clarityslight amp compressionraw, in-your-face
Difficulty
The riff is built on fast, aggressive power chord strumming with tight palm muting, but uses straightforward punk techniques and no advanced lead work.
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Create Free AccountGuitarpunk2000s
Original Gear
GuitarGibson Les Paul Junior (likely 1956, 'Floyd')
AmpMarshall Plexi Super Lead (1959 SLP, modded 'Dookie' spec)
Amp Settings
gain7
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1999-2000 (Warning album sessions). Billie Joe Armstrong used his classic Les Paul Junior with a single P-90 into a Marshall Plexi Super Lead, often with the 'Dookie' mod for extra gain. No evidence of alternate guitars or amps for this song's riff section.
Tone Character(10)
tight and percussivemid-forward crunchaggressive attackarticulate upper midsdry and directminimal ambienceclassic punk drivefocused power chord clarityslight amp compressionraw, in-your-face
Difficulty
The riff is built on fast, aggressive power chord strumming with tight palm muting, but uses straightforward punk techniques and no advanced lead work.