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Solo Tone
Cold Day In Hell
Gary Moore
Guitarblues1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1959 reissue, sunburst, used in studio)
AmpMarshall JCM 900 head with Marshall 4x12 cabinet (studio recording, 1991/1992)
Amp Settings
gain6.5
bass7
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Notes
Studio recording for 'After Hours' album (1991/1992). Gear inferred from era, interviews, and Gary Moore's known studio setup for this album. No direct source confirms pedal or amp settings for this specific solo. No evidence of live rig or alternate guitars for this solo section.
Tone Character(10)
singing sustainsmooth, vocal-like lead tonetouch-sensitive dynamicsrich midrange presencebluesy overdrive with clarityfat, round notesslight edge-of-breakup characterfluid legato phrasingharmonic feedback on bendswarm, expressive vibrato
Difficulty
The solo requires advanced blues phrasing, expressive vibrato, and fast legato runs, demanding both technical skill and dynamic control.
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Create Free AccountGuitarblues1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1959 reissue, sunburst, used in studio)
AmpMarshall JCM 900 head with Marshall 4x12 cabinet (studio recording, 1991/1992)
Amp Settings
gain6.5
bass7
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording for 'After Hours' album (1991/1992). Gear inferred from era, interviews, and Gary Moore's known studio setup for this album. No direct source confirms pedal or amp settings for this specific solo. No evidence of live rig or alternate guitars for this solo section.
Tone Character(10)
singing sustainsmooth, vocal-like lead tonetouch-sensitive dynamicsrich midrange presencebluesy overdrive with clarityfat, round notesslight edge-of-breakup characterfluid legato phrasingharmonic feedback on bendswarm, expressive vibrato
Difficulty
The solo requires advanced blues phrasing, expressive vibrato, and fast legato runs, demanding both technical skill and dynamic control.