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Riff Tone
Come Sail Away
Styx
Guitarrock1970s
Original Gear
GuitarGibson Les Paul Custom (1970s, likely black finish, as used by James Young on studio recording)
AmpMarshall JMP 100-watt head (1970s, likely Super Lead or Master Volume, with matching Marshall 4x12 cabinet)
Amp Settings
gain5.5
bass6
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Notes
Studio recording, 1977. No evidence of pedal use on riff section; classic Marshall Les Paul setup. No live or modern gear included.
Tone Character(10)
crisp and articulateclassic British crunchtight rhythm attackslight breakupwarm midrangeclear note separationpunchy low endbright but not harsh trebledynamic response to pickingno audible modulation or delay
Difficulty
The riff requires tight, consistent rhythm and dynamic picking, but uses standard power chords and moderate tempo, making it accessible to intermediate players.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarGibson Les Paul Custom (1970s, likely black finish, as used by James Young on studio recording)
AmpMarshall JMP 100-watt head (1970s, likely Super Lead or Master Volume, with matching Marshall 4x12 cabinet)
Amp Settings
gain5.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1977. No evidence of pedal use on riff section; classic Marshall Les Paul setup. No live or modern gear included.
Tone Character(10)
crisp and articulateclassic British crunchtight rhythm attackslight breakupwarm midrangeclear note separationpunchy low endbright but not harsh trebledynamic response to pickingno audible modulation or delay
Difficulty
The riff requires tight, consistent rhythm and dynamic picking, but uses standard power chords and moderate tempo, making it accessible to intermediate players.