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Solo Tone
Crossroads
Cream
Guitarrock1960s
Original Gear
Guitar1964 Gibson SG Standard
Amp1966 Marshall Super 100 (JTM 45/100) with KT66 tubes into Marshall 1960B 4x12 cabinet (Celestion G12M Greenbacks)
Amp Settings
gain7.5
bass8.5
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Notes
Studio/live recording from March 1968, Winterland/Fillmore. All evidence points to this exact rig for the 'Crossroads' solo. No pedals or effects used in the solo; all distortion from cranked amp. Pickup selector on neck for solo. Settings are for live recording, not studio overdub.
Tone Character(10)
singing sustainfat, honking midrangewarm and smooth neck pickuptouch-sensitive responserolled-off highsnatural compressiondynamic and expressivewoman tonefull-bodiedaggressive blues phrasing
Difficulty
The solo requires advanced blues phrasing at a fast tempo, with expressive bends, vibrato, and dynamic use of the guitar's controls. The articulation and timing are challenging, making it difficult for all but experienced players.
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Create Free AccountGuitarrock1960s
Original Gear
Guitar1964 Gibson SG Standard
Amp1966 Marshall Super 100 (JTM 45/100) with KT66 tubes into Marshall 1960B 4x12 cabinet (Celestion G12M Greenbacks)
Amp Settings
gain7.5
bass8.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio/live recording from March 1968, Winterland/Fillmore. All evidence points to this exact rig for the 'Crossroads' solo. No pedals or effects used in the solo; all distortion from cranked amp. Pickup selector on neck for solo. Settings are for live recording, not studio overdub.
Tone Character(10)
singing sustainfat, honking midrangewarm and smooth neck pickuptouch-sensitive responserolled-off highsnatural compressiondynamic and expressivewoman tonefull-bodiedaggressive blues phrasing
Difficulty
The solo requires advanced blues phrasing at a fast tempo, with expressive bends, vibrato, and dynamic use of the guitar's controls. The articulation and timing are challenging, making it difficult for all but experienced players.