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Riff Tone

Diary of a Madman

Ozzy Osbourne

Guitarmetal1980s

Original Gear

Guitar1970 Gibson Les Paul Custom (white, likely neck pickup for clean intro)
AmpMarshall model 1959 Super Lead 100-watt head (early 1970s, metal front) into Marshall 4x12 cabinets with Altec 417-8H speakers

Amp Settings

gain0
bass5.5

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Effects & Signal Chain

Notes

Studio recording, 1981. Clean intro/riff section. Randy Rhoads alternated between Les Paul Custom and custom Vs, but Les Paul Custom is most associated with clean/classical passages. Marshall head is confirmed for studio use. Effects are based on both source mentions and audible analysis.

Tone Character(10)
warm and roundedbell-like clarityarticulate and dynamicnatural sustainopen and ringingslight studio ambienceno audible distortionno modulation effectsfingerstyle classical influencesubtle reverb

Difficulty

The clean intro/riff requires advanced fingerstyle technique, classical-inspired arpeggios, and precise dynamic control, making it challenging even for experienced players.

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