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Riff Tone
Do You Feel Like We Do (Live)
Peter Frampton
Guitarrock1970s
Original Gear
Guitar1954 Gibson Les Paul Custom 'Phenix' (three-pickup, black, original used on Frampton Comes Alive!)
AmpMarshall Super Lead 100-watt head (1970s, modified by José Arredondo)
Amp Settings
gain0
bass6.5
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Notes
Live recording, Frampton Comes Alive! (1975/1976), clean sections use Marshall Super Lead for main tone; no evidence of Ampeg or Mesa for clean riff. Studio vs live: this is the iconic live version.
Tone Character(10)
chimey and bell-like cleanswarm and full-bodiedclear and articulateslightly compressedopen, airy highstouch-sensitive dynamicsmild amp breakup at peaksclassic 1970s live rock cleansubtle spring reverb ambiencenot sterile, retains warmth
Difficulty
The riff requires tight timing, dynamic control for clean articulation, and some subtle volume/tone knob work, but is not technically demanding in terms of speed or advanced techniques.
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Create Free AccountGuitarrock1970s
Original Gear
Guitar1954 Gibson Les Paul Custom 'Phenix' (three-pickup, black, original used on Frampton Comes Alive!)
AmpMarshall Super Lead 100-watt head (1970s, modified by José Arredondo)
Amp Settings
gain0
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Live recording, Frampton Comes Alive! (1975/1976), clean sections use Marshall Super Lead for main tone; no evidence of Ampeg or Mesa for clean riff. Studio vs live: this is the iconic live version.
Tone Character(10)
chimey and bell-like cleanswarm and full-bodiedclear and articulateslightly compressedopen, airy highstouch-sensitive dynamicsmild amp breakup at peaksclassic 1970s live rock cleansubtle spring reverb ambiencenot sterile, retains warmth
Difficulty
The riff requires tight timing, dynamic control for clean articulation, and some subtle volume/tone knob work, but is not technically demanding in terms of speed or advanced techniques.