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Solo Tone
Don't Stop 'Til You Get Enough
Michael Jackson
Guitarother1970s
Original Gear
GuitarFender Stratocaster (likely late 1970s, session guitar)
AmpVox amplifier (exact model not specified, likely AC30 or AC50 era-appropriate)
Amp Settings
gain0
bass5.5
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Notes
Studio recording, 1978-1979. No evidence of live rig or alternate guitars for the solo. Session player likely David Williams. No evidence of pedals except compression; amp reverb and compression used in studio.
Tone Character(10)
bright and snappytight and percussiveclean and articulatecompressed attackminimal sustaincrisp transient responsefunky single-coil clarityslight room ambienceno audible distortionarticulate note separation
Difficulty
The solo requires advanced funk rhythm technique, fast and accurate picking, and precise muting to maintain clarity and groove at a high tempo.
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Create Free AccountGuitarother1970s
Original Gear
GuitarFender Stratocaster (likely late 1970s, session guitar)
AmpVox amplifier (exact model not specified, likely AC30 or AC50 era-appropriate)
Amp Settings
gain0
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1978-1979. No evidence of live rig or alternate guitars for the solo. Session player likely David Williams. No evidence of pedals except compression; amp reverb and compression used in studio.
Tone Character(10)
bright and snappytight and percussiveclean and articulatecompressed attackminimal sustaincrisp transient responsefunky single-coil clarityslight room ambienceno audible distortionarticulate note separation
Difficulty
The solo requires advanced funk rhythm technique, fast and accurate picking, and precise muting to maintain clarity and groove at a high tempo.