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Solo Tone
El Final Es En Donde Partí
La Renga
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1970s-1990s, sunburst finish)
AmpMesa/Boogie Dual Rectifier Solo Head
Amp Settings
gain6.5
bass6.5
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Notes
Studio recording, album version (mid-late 1990s). Guitarist Gustavo Nápoli is known for using a Les Paul into a Mesa/Boogie Dual Rectifier for this era. No direct evidence of pedals or alternate guitars for the solo section; all evidence points to this core rig.
Tone Character(9)
singing sustainsmooth and saturatedthick and harmonically richslightly scooped midstight, focused attackclear note separationmoderate amp reverb for spaceno modulation or time-based effectsmodern Argentinian hard rock solo tone
Difficulty
The solo requires intermediate control of phrasing, vibrato, and sustain, with some technical bends and expressive dynamics, but does not involve advanced shredding or complex timing.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1970s-1990s, sunburst finish)
AmpMesa/Boogie Dual Rectifier Solo Head
Amp Settings
gain6.5
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, album version (mid-late 1990s). Guitarist Gustavo Nápoli is known for using a Les Paul into a Mesa/Boogie Dual Rectifier for this era. No direct evidence of pedals or alternate guitars for the solo section; all evidence points to this core rig.
Tone Character(9)
singing sustainsmooth and saturatedthick and harmonically richslightly scooped midstight, focused attackclear note separationmoderate amp reverb for spaceno modulation or time-based effectsmodern Argentinian hard rock solo tone
Difficulty
The solo requires intermediate control of phrasing, vibrato, and sustain, with some technical bends and expressive dynamics, but does not involve advanced shredding or complex timing.