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Solo Tone
En la Ciudad de la Furia
Soda Stereo
Guitarrock1980s
Original Gear
GuitarGibson ES-335 Double Pickguard (customized, as used by Gustavo Cerati in studio on Doble Vida)
AmpMarshall JCM800 (studio recording, Doble Vida era, 1988)
Amp Settings
gain6
bass6
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Notes
Studio recording, 1988, Doble Vida album. Gear confirmed for this era and album; solo section features heavy, saturated tone. No explicit pedalboard photos from the studio, but effects are clearly audible and consistent with Cerati's known setup at the time.
Tone Character(10)
singing sustainambient, spatial delaymid-forward lead soundclear note articulationlush reverb ambiencewarm, rounded highsslightly compressed attacktouch-sensitive responseclassic British crunchrich harmonic overtones
Difficulty
The solo requires intermediate-level phrasing, expressive bends, and precise timing to match the delay repeats, but does not involve advanced shred techniques or extreme speed.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson ES-335 Double Pickguard (customized, as used by Gustavo Cerati in studio on Doble Vida)
AmpMarshall JCM800 (studio recording, Doble Vida era, 1988)
Amp Settings
gain6
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1988, Doble Vida album. Gear confirmed for this era and album; solo section features heavy, saturated tone. No explicit pedalboard photos from the studio, but effects are clearly audible and consistent with Cerati's known setup at the time.
Tone Character(10)
singing sustainambient, spatial delaymid-forward lead soundclear note articulationlush reverb ambiencewarm, rounded highsslightly compressed attacktouch-sensitive responseclassic British crunchrich harmonic overtones
Difficulty
The solo requires intermediate-level phrasing, expressive bends, and precise timing to match the delay repeats, but does not involve advanced shred techniques or extreme speed.