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Riff Tone
En Remolinos
Soda Stereo
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (likely late 80s/early 90s Japanese or US Standard, as used by Gustavo Cerati in Dynamo era)
AmpMarshall JCM800 (most probable for Dynamo studio sessions, based on era and genre, no direct citation for this song but consistent with Cerati's known studio use in 1992-93)
Amp Settings
gain5
bass6
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Notes
Studio recording, Dynamo album (1992), riff section. No direct studio documentation for 'En Remolinos' found, but Cerati is documented using Stratocasters and Marshalls for Dynamo sessions. No evidence of alternate guitars or amps for this specific riff.
Tone Character(10)
lush and modulatedswirling chorus textureambient and dreamycrunchy but not harshsmooth sustainpercussive attackshoegaze-inspired wall of soundnot overly brightslightly compressedwarm, enveloping modulation
Difficulty
The riff requires tight rhythmic playing to sync with tremolo and chorus modulation, as well as careful dynamics to maintain the dreamy, swirling shoegaze texture. Layering effects and controlling noise with fuzz adds to the challenge.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarFender Stratocaster (likely late 80s/early 90s Japanese or US Standard, as used by Gustavo Cerati in Dynamo era)
AmpMarshall JCM800 (most probable for Dynamo studio sessions, based on era and genre, no direct citation for this song but consistent with Cerati's known studio use in 1992-93)
Amp Settings
gain5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, Dynamo album (1992), riff section. No direct studio documentation for 'En Remolinos' found, but Cerati is documented using Stratocasters and Marshalls for Dynamo sessions. No evidence of alternate guitars or amps for this specific riff.
Tone Character(10)
lush and modulatedswirling chorus textureambient and dreamycrunchy but not harshsmooth sustainpercussive attackshoegaze-inspired wall of soundnot overly brightslightly compressedwarm, enveloping modulation
Difficulty
The riff requires tight rhythmic playing to sync with tremolo and chorus modulation, as well as careful dynamics to maintain the dreamy, swirling shoegaze texture. Layering effects and controlling noise with fuzz adds to the challenge.