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Riff Tone

Everlong

Foo Fighters

Guitarrock1990s

Original Gear

GuitarGibson Trini Lopez (1967, semi-hollow, stopbar tailpiece, stock pickups)
AmpMesa/Boogie Dual Rectifier Solo Head (100W, 2-channel, 1990s version) into Marshall 4x12 cabinet

Amp Settings

gain7
bass6

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Effects & Signal Chain

Notes

Studio recording, 1996-1997 for 'The Colour and the Shape'. Guitar and amp confirmed by multiple interviews and Foo Fighters techs. No evidence of live/tour substitutions for the original studio riff section.

Tone Character(10)
tight and percussiveaggressive and saturatedarticulate palm-muted chugspunchy midrangeslightly scooped but not hollowclear note separationraw and in-your-facesemi-hollow resonancehard picking attackminimal ambience

Difficulty

The riff is physically demanding due to its fast tempo, relentless alternate picking, and need for tight palm muting. While not technically advanced in terms of fretwork, the stamina and precision required push it above intermediate difficulty.

This tone has been researched 98 times by the community

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