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Riff Tone
Everybody Calls Me Lonely
The Superjesus
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 90s model, as used by Sarah McLeod in The Superjesus' 90s/2000s era)
AmpMarshall JCM900 (typical for Australian 90s/2000s alt-rock, no direct source for this song but consistent with genre/era/artist use)
Amp Settings
gain6.5
bass6
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Notes
Studio recording, circa late 1990s (release era). No direct studio documentation found for this song, gear inferred from era, genre, and artist's typical setup. No evidence of alternate guitars or amps for this riff section.
Tone Character(10)
tight, crunchy rhythm guitaraggressive palm mutingmid-forward punchsaturated distortionarticulate attackslight top-end sizzlefull-bodied power chordsmodern alt-rock drivecompressed sustainno audible modulation or delay effects
Difficulty
The riff requires intermediate-level control of palm muting, tight rhythm playing, and consistent attack to maintain the song's driving alt-rock feel.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 90s model, as used by Sarah McLeod in The Superjesus' 90s/2000s era)
AmpMarshall JCM900 (typical for Australian 90s/2000s alt-rock, no direct source for this song but consistent with genre/era/artist use)
Amp Settings
gain6.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, circa late 1990s (release era). No direct studio documentation found for this song, gear inferred from era, genre, and artist's typical setup. No evidence of alternate guitars or amps for this riff section.
Tone Character(10)
tight, crunchy rhythm guitaraggressive palm mutingmid-forward punchsaturated distortionarticulate attackslight top-end sizzlefull-bodied power chordsmodern alt-rock drivecompressed sustainno audible modulation or delay effects
Difficulty
The riff requires intermediate-level control of palm muting, tight rhythm playing, and consistent attack to maintain the song's driving alt-rock feel.