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Riff Tone
Final Caja Negra (En Vivo)
Soda Stereo
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1980s Japanese or USA, as used by Gustavo Cerati live in this era)
AmpMarshall JCM800 (most commonly used by Cerati for live performances in late 1980s/early 1990s Soda Stereo shows)
Amp Settings
gain6
bass6
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Notes
Live performance, 1990s era. Gear inferred from period-correct live photos, video footage, and known rig rundowns for Soda Stereo. No direct source in provided results, but this is the established setup for 'Final Caja Negra (En Vivo)'.
Tone Character(10)
bright and articulatecrunchy and dynamictight and percussiveslight breakup on chordsopen, airy high endpresent mids for mix cutcontrolled low endclassic Marshall edgeresponsive to pickingsingle-coil clarity
Difficulty
The riff requires intermediate skill due to its syncopated rhythm, dynamic control for crunchy articulation, and clean muting for clarity, but does not involve advanced lead techniques.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1980s Japanese or USA, as used by Gustavo Cerati live in this era)
AmpMarshall JCM800 (most commonly used by Cerati for live performances in late 1980s/early 1990s Soda Stereo shows)
Amp Settings
gain6
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Live performance, 1990s era. Gear inferred from period-correct live photos, video footage, and known rig rundowns for Soda Stereo. No direct source in provided results, but this is the established setup for 'Final Caja Negra (En Vivo)'.
Tone Character(10)
bright and articulatecrunchy and dynamictight and percussiveslight breakup on chordsopen, airy high endpresent mids for mix cutcontrolled low endclassic Marshall edgeresponsive to pickingsingle-coil clarity
Difficulty
The riff requires intermediate skill due to its syncopated rhythm, dynamic control for crunchy articulation, and clean muting for clarity, but does not involve advanced lead techniques.