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Solo Tone
Fire On the Mountain
Grateful Dead
Guitarrock1970s
Original Gear
GuitarDoug Irwin 'Wolf' custom guitar
AmpFender Twin Reverb (Silverface, late 1970s)
Amp Settings
gain3.5
bass6
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Notes
Live performance, late 1970s (1977-1978 era). Jerry Garcia's 'Wolf' guitar and Fender Twin Reverb amp were used for 'Fire On the Mountain' solos in this period. Effects are based on period-correct pedalboard and audible characteristics.
Tone Character(10)
quacky and vocal-like envelope filter sweepbright and glassy highsarticulate single-note claritytouch-sensitive responseliquid sustaindynamic and percussive attackminimal amp breakupfunky, expressive phrasingopen and airydistinct envelope filter 'auto-wah' movement
Difficulty
The solo requires intermediate skill due to the need for expressive control of the envelope filter, dynamic picking, and melodic phrasing, but does not involve advanced speed or complex techniques.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarDoug Irwin 'Wolf' custom guitar
AmpFender Twin Reverb (Silverface, late 1970s)
Amp Settings
gain3.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Live performance, late 1970s (1977-1978 era). Jerry Garcia's 'Wolf' guitar and Fender Twin Reverb amp were used for 'Fire On the Mountain' solos in this period. Effects are based on period-correct pedalboard and audible characteristics.
Tone Character(10)
quacky and vocal-like envelope filter sweepbright and glassy highsarticulate single-note claritytouch-sensitive responseliquid sustaindynamic and percussive attackminimal amp breakupfunky, expressive phrasingopen and airydistinct envelope filter 'auto-wah' movement
Difficulty
The solo requires intermediate skill due to the need for expressive control of the envelope filter, dynamic picking, and melodic phrasing, but does not involve advanced speed or complex techniques.