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Solo Tone
For What It's Worth
Amber Pacific
Guitarpunk2000s
Original Gear
GuitarUnknown (likely mid-2000s pop punk humbucker-equipped guitar, e.g., Gibson Les Paul Studio or Fender Telecaster HH, but no direct evidence for this song/solo)
AmpUnknown (likely Marshall JCM2000, Mesa/Boogie Dual Rectifier, or similar high-gain amp typical of 2000s pop punk, but no direct evidence for this song/solo)
Amp Settings
gain7
bass6
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Notes
No direct evidence found for exact guitar, pickups, or amp used on the studio recording of 'For What It's Worth' solo by Amber Pacific. All gear is estimated based on genre, era, and typical pop punk/post-hardcore studio rigs of the mid-2000s. Studio recording, released 2005.
Tone Character(10)
tight, saturated lead tonesinging sustainarticulate attackcrisp pick definitionslightly scooped midsmodern pop punk lead soundmoderate amp reverbpunchy and presentcutting through dense mixno audible modulation effects
Difficulty
The solo requires intermediate technique with melodic phrasing, alternate picking, and expressive bends/vibrato, but does not involve advanced shredding or complex timing.
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Create Free AccountGuitarpunk2000s
Original Gear
GuitarUnknown (likely mid-2000s pop punk humbucker-equipped guitar, e.g., Gibson Les Paul Studio or Fender Telecaster HH, but no direct evidence for this song/solo)
AmpUnknown (likely Marshall JCM2000, Mesa/Boogie Dual Rectifier, or similar high-gain amp typical of 2000s pop punk, but no direct evidence for this song/solo)
Amp Settings
gain7
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct evidence found for exact guitar, pickups, or amp used on the studio recording of 'For What It's Worth' solo by Amber Pacific. All gear is estimated based on genre, era, and typical pop punk/post-hardcore studio rigs of the mid-2000s. Studio recording, released 2005.
Tone Character(10)
tight, saturated lead tonesinging sustainarticulate attackcrisp pick definitionslightly scooped midsmodern pop punk lead soundmoderate amp reverbpunchy and presentcutting through dense mixno audible modulation effects
Difficulty
The solo requires intermediate technique with melodic phrasing, alternate picking, and expressive bends/vibrato, but does not involve advanced shredding or complex timing.