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Riff Tone
Forty Six & 2
TOOL
Guitarmetal1990s
Original Gear
GuitarGibson Les Paul Custom Silverburst (late 1970s/early 1980s, Adam Jones' main studio guitar)
AmpDiezel VH4 (Channel 1 or 2 for clean, studio recording amp for Ænima era)
Amp Settings
gain0
bass5.5
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Notes
Studio recording, 1996/1997 Ænima sessions. Adam Jones is confirmed to use the Les Paul Custom Silverburst and Diezel VH4 for clean and heavy sections. Settings are estimated for the clean riff section as no direct source gives exact knob positions for the clean part.
Tone Character(10)
clear and glassyarticulate and percussiveslightly compressedtight low endmodulation shimmer (flanger/chorus)studio claritydistinct note separationnot scooped or overly brightsubtle ambienceno audible breakup
Difficulty
The clean riff requires tight, syncopated picking with precise palm muting and note separation, made more challenging by the need to maintain clarity with modulation effects.
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarGibson Les Paul Custom Silverburst (late 1970s/early 1980s, Adam Jones' main studio guitar)
AmpDiezel VH4 (Channel 1 or 2 for clean, studio recording amp for Ænima era)
Amp Settings
gain0
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1996/1997 Ænima sessions. Adam Jones is confirmed to use the Les Paul Custom Silverburst and Diezel VH4 for clean and heavy sections. Settings are estimated for the clean riff section as no direct source gives exact knob positions for the clean part.
Tone Character(10)
clear and glassyarticulate and percussiveslightly compressedtight low endmodulation shimmer (flanger/chorus)studio claritydistinct note separationnot scooped or overly brightsubtle ambienceno audible breakup
Difficulty
The clean riff requires tight, syncopated picking with precise palm muting and note separation, made more challenging by the need to maintain clarity with modulation effects.