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Clean Tone
Get On the Floor
Michael Jackson
Bassfunk1980s
Original Gear
BassMusic Man StingRay (late 1970s, 4-string, active electronics) and Alembic Series I (overdubbed)
AmpNot explicitly documented; likely direct (DI) with possible Ampeg B-15 or similar tube amp for warmth (typical for era and Louis Johnson's studio work)
Amp Settings
gain0
bass5.5
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Notes
Studio recording, 1979 (album: Off The Wall). Isolated tracks confirm both Music Man StingRay and Alembic Series I were used and blended in the final mix.
Tone Character(10)
tight and punchycrisp attacksnappy highsdeep low endpercussive slapclear note separationfull-bodiedminimal gritstudio-polishedfast transient response
Difficulty
The line features rapid slap/pop, intricate syncopation, and requires advanced muting and articulation to maintain clarity at high speed. Mastery of funk slap technique is essential.
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Create Free AccountBassfunk1980s
Original Gear
BassMusic Man StingRay (late 1970s, 4-string, active electronics) and Alembic Series I (overdubbed)
AmpNot explicitly documented; likely direct (DI) with possible Ampeg B-15 or similar tube amp for warmth (typical for era and Louis Johnson's studio work)
Amp Settings
gain0
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1979 (album: Off The Wall). Isolated tracks confirm both Music Man StingRay and Alembic Series I were used and blended in the final mix.
Tone Character(10)
tight and punchycrisp attacksnappy highsdeep low endpercussive slapclear note separationfull-bodiedminimal gritstudio-polishedfast transient response
Difficulty
The line features rapid slap/pop, intricate syncopation, and requires advanced muting and articulation to maintain clarity at high speed. Mastery of funk slap technique is essential.