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Solo Tone
(Ghost) Riders In the Sky
Johnny Cash
Guitarcountry1970s
Original Gear
GuitarFender Esquire (likely 1950s-early 1960s, single bridge pickup, as used by Luther Perkins on Johnny Cash studio recordings)
AmpFender Tweed Princeton or Deluxe (exact model not confirmed for this session, but Tweed Princeton is most likely based on era and studio use)
Amp Settings
gain0
bass5
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Notes
Studio recording, 1979 (album: Silver). No evidence of pedals or outboard effects; clean amp tone with possible spring reverb from amp. Guitarist for Johnny Cash at this time was Bob Wootton, but the tone and approach closely follow Luther Perkins' classic setup.
Tone Character(10)
bright and twangyclean and articulatepercussive attackwarm low endslightly scooped midsspringy reverb depthdynamic and responsiveno breakup or distortionclassic country snaptight, focused single-coil clarity
Difficulty
The solo requires clean, articulate picking and precise timing to achieve the classic country sound, but does not involve advanced techniques or fast passages.
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Create Free AccountGuitarcountry1970s
Original Gear
GuitarFender Esquire (likely 1950s-early 1960s, single bridge pickup, as used by Luther Perkins on Johnny Cash studio recordings)
AmpFender Tweed Princeton or Deluxe (exact model not confirmed for this session, but Tweed Princeton is most likely based on era and studio use)
Amp Settings
gain0
bass5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1979 (album: Silver). No evidence of pedals or outboard effects; clean amp tone with possible spring reverb from amp. Guitarist for Johnny Cash at this time was Bob Wootton, but the tone and approach closely follow Luther Perkins' classic setup.
Tone Character(10)
bright and twangyclean and articulatepercussive attackwarm low endslightly scooped midsspringy reverb depthdynamic and responsiveno breakup or distortionclassic country snaptight, focused single-coil clarity
Difficulty
The solo requires clean, articulate picking and precise timing to achieve the classic country sound, but does not involve advanced techniques or fast passages.