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Clean Tone
Hail to the King
Avenged Sevenfold
Bassmetal2010s+
Original Gear
BassErnie Ball Music Man StingRay (30th Anniversary, custom finish)
AmpGallien-Krueger 2001RB head into Gallien-Krueger Neo 8x10 cabinet
Amp Settings
gain0
bass5.5
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Notes
Studio recording, 2013, album: Hail to the King. Johnny Christ uses two signal paths (clean/dirty) via MXR M-80 DI, but for the clean section only the clean path is relevant.
Tone Character(9)
tight low endclear and defined attackmodern puncharticulate highsfull-bodiedslightly scooped midspresent but not harsh treblecontrolled dynamicsno audible drive or grit
Difficulty
The clean section of 'Hail to the King' features straightforward root note playing with a pick at a moderate tempo, requiring solid timing and consistent attack but little technical challenge.
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Create Free AccountBassmetal2010s+
Original Gear
BassErnie Ball Music Man StingRay (30th Anniversary, custom finish)
AmpGallien-Krueger 2001RB head into Gallien-Krueger Neo 8x10 cabinet
Amp Settings
gain0
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2013, album: Hail to the King. Johnny Christ uses two signal paths (clean/dirty) via MXR M-80 DI, but for the clean section only the clean path is relevant.
Tone Character(9)
tight low endclear and defined attackmodern puncharticulate highsfull-bodiedslightly scooped midspresent but not harsh treblecontrolled dynamicsno audible drive or grit
Difficulty
The clean section of 'Hail to the King' features straightforward root note playing with a pick at a moderate tempo, requiring solid timing and consistent attack but little technical challenge.