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Riff Tone
Haruka Kanata
Asian Kung-Fu Generation
Guitarrock2000s
Original Gear
GuitarGibson Marauder
AmpFender Super-Sonic 60 Head into Fender Vibro-King cabinet
Amp Settings
gain6.5
bass5.5
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Notes
Studio recording, 2002-2003 era. Gotoh used the Marauder for early recordings including 'Haruka Kanata'. Vibro-King used as cabinet for Super-Sonic head. No evidence of live rig or later amp models for this recording.
Tone Character(10)
tight and percussivefocused midrange puncharticulate pick attackslightly compresseddynamic and responsiveaggressive power chord voicingcontrolled low endclear, not overly saturatedforward midscrisp high end without harshness
Difficulty
The riff requires fast, accurate picking and palm muting at high tempo, with tight chord changes and dynamic control to maintain clarity and punch in a dense mix.
This tone has been researched 3 times by the community
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Create Free AccountGuitarrock2000s
Original Gear
GuitarGibson Marauder
AmpFender Super-Sonic 60 Head into Fender Vibro-King cabinet
Amp Settings
gain6.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
This tone has been researched 3 times by the community
Notes
Studio recording, 2002-2003 era. Gotoh used the Marauder for early recordings including 'Haruka Kanata'. Vibro-King used as cabinet for Super-Sonic head. No evidence of live rig or later amp models for this recording.
Tone Character(10)
tight and percussivefocused midrange puncharticulate pick attackslightly compresseddynamic and responsiveaggressive power chord voicingcontrolled low endclear, not overly saturatedforward midscrisp high end without harshness
Difficulty
The riff requires fast, accurate picking and palm muting at high tempo, with tight chord changes and dynamic control to maintain clarity and punch in a dense mix.