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Solo Tone

Hell or High Water

AC/DC

Guitarrock1980s

Original Gear

GuitarGibson SG Standard (early 1970s, likely 1970-1973 model)
AmpMarshall Super Lead 1959 100-watt head (plexi, late 1960s/early 1970s, non-master volume) with Marshall 4x12 cabinet

Amp Settings

gain6
bass5.5

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Effects & Signal Chain

Notes

Studio recording, 1985 (Fly on the Wall album). Angus Young is known for plugging straight into the amp with no pedals except for the Schaffer-Vega Diversity System wireless (which acts as a preamp/boost). No evidence of additional pedals or effects in the studio for this song. All sources confirm a minimal signal chain for solos, with the Schaffer preamp providing a slight boost and compression. No evidence of live-specific gear or effects for this studio solo.

Tone Character(10)
classic British crunchbright and biting lead tonetight, percussive attacksinging sustainarticulate note definitionminimal compression from Schaffer preampraw, in-your-face solo soundupper-midrange emphasisdynamic response to pickingno ambient effects

Difficulty

The solo requires intermediate to advanced blues-rock lead technique, including fast pentatonic runs, expressive bends, and dynamic picking, but does not feature extreme technical demands or complex timing.

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