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Solo Tone
Hentian Ini
XPDC
Guitarrock1990s
Original Gear
GuitarYamaha RGX series (likely RGX 312 or 421, as used by XPDC's guitarist during early-mid 1990s studio recordings)
AmpMarshall JCM800 (most common for Malaysian rock/rock kapak studio tones in early 1990s, no direct source for this song but consistent with genre/era/scene)
Amp Settings
gain7
bass6
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Notes
Studio recording, circa 1996 (album release year). No direct source for exact gear on 'Hentian Ini' solo, but Yamaha RGX and Marshall JCM800 are strongly associated with XPDC's guitarist during this era. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
singing sustainsmooth melodic phrasingclear note separationslight midrange emphasistouch of amp reverbclassic rock kapak solo tonenot overly saturatedarticulate bends and vibratowarm but present highsmoderate compression
Difficulty
The solo requires intermediate control of bends and vibrato, melodic phrasing, and timing with delay repeats. While not technically extreme, expressive phrasing and sustain control are essential for authenticity.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarYamaha RGX series (likely RGX 312 or 421, as used by XPDC's guitarist during early-mid 1990s studio recordings)
AmpMarshall JCM800 (most common for Malaysian rock/rock kapak studio tones in early 1990s, no direct source for this song but consistent with genre/era/scene)
Amp Settings
gain7
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, circa 1996 (album release year). No direct source for exact gear on 'Hentian Ini' solo, but Yamaha RGX and Marshall JCM800 are strongly associated with XPDC's guitarist during this era. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
singing sustainsmooth melodic phrasingclear note separationslight midrange emphasistouch of amp reverbclassic rock kapak solo tonenot overly saturatedarticulate bends and vibratowarm but present highsmoderate compression
Difficulty
The solo requires intermediate control of bends and vibrato, melodic phrasing, and timing with delay repeats. While not technically extreme, expressive phrasing and sustain control are essential for authenticity.