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Riff Tone
HONEY (ARE U COMING?)
Måneskin
Guitarrock2010s+
Original Gear
GuitarGibson Les Paul Standard (likely 2010s model, as used by Thomas Raggi in studio and live for this era)
AmpMarshall JCM800 (most likely, based on Måneskin's known studio/live rig for this era and genre)
Amp Settings
gain6.5
bass6
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Notes
Studio recording, 2023. No direct confirmation of exact amp or pedal models for this specific song, but Thomas Raggi is widely documented using a Les Paul Standard into a Marshall JCM800 for Måneskin's modern rock recordings. No evidence of alternate guitars or amps for this riff section.
Tone Character(10)
tight and articulatepunchy midrangecrunchy overdrivedynamic pick attackpresent upper midsslightly compressedmodern rock edgefull-bodied low endclear note separationno audible modulation or delay
Difficulty
The riff requires intermediate-level control of palm muting, dynamic pick attack, and tight timing, but does not involve advanced lead techniques or complex chord voicings.
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarGibson Les Paul Standard (likely 2010s model, as used by Thomas Raggi in studio and live for this era)
AmpMarshall JCM800 (most likely, based on Måneskin's known studio/live rig for this era and genre)
Amp Settings
gain6.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2023. No direct confirmation of exact amp or pedal models for this specific song, but Thomas Raggi is widely documented using a Les Paul Standard into a Marshall JCM800 for Måneskin's modern rock recordings. No evidence of alternate guitars or amps for this riff section.
Tone Character(10)
tight and articulatepunchy midrangecrunchy overdrivedynamic pick attackpresent upper midsslightly compressedmodern rock edgefull-bodied low endclear note separationno audible modulation or delay
Difficulty
The riff requires intermediate-level control of palm muting, dynamic pick attack, and tight timing, but does not involve advanced lead techniques or complex chord voicings.