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Solo Tone
I Just Want To Make Love To You
Etta James
Guitarblues1960s
Original Gear
GuitarGibson ES-335 (likely, based on era/session standards for Chess blues recordings)
AmpFender Tweed Deluxe (5E3) (likely, based on Chess studio gear in early 1960s)
Amp Settings
gain4
bass6.5
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Notes
Studio recording, 1960/1961, Chess Records. No direct source confirms the exact guitar/amp, but Chess house band guitarists (likely Phil Upchurch or Matt Murphy) typically used Gibson hollow/semi-hollow electrics into small Fender amps for Etta James sessions.
Tone Character(10)
warm and roundedslight edge-of-breakup crunchsmooth sustaintouch-sensitive dynamicsclear note separationmildly compressedno harsh treblefull-bodied midrangenatural amp reverbexpressive bends and vibrato
Difficulty
The solo requires control of bends and vibrato, and expressive phrasing, but is moderate in tempo and does not involve advanced technical challenges.
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Create Free AccountGuitarblues1960s
Original Gear
GuitarGibson ES-335 (likely, based on era/session standards for Chess blues recordings)
AmpFender Tweed Deluxe (5E3) (likely, based on Chess studio gear in early 1960s)
Amp Settings
gain4
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1960/1961, Chess Records. No direct source confirms the exact guitar/amp, but Chess house band guitarists (likely Phil Upchurch or Matt Murphy) typically used Gibson hollow/semi-hollow electrics into small Fender amps for Etta James sessions.
Tone Character(10)
warm and roundedslight edge-of-breakup crunchsmooth sustaintouch-sensitive dynamicsclear note separationmildly compressedno harsh treblefull-bodied midrangenatural amp reverbexpressive bends and vibrato
Difficulty
The solo requires control of bends and vibrato, and expressive phrasing, but is moderate in tempo and does not involve advanced technical challenges.