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Solo Tone
I'm Getting On the Bus to the Other World, See Ya!
TUYU
Guitarrock2010s+
Original Gear
GuitarUnknown (likely modern Japanese solidbody electric, possibly Ibanez or Fender-style, model not confirmed for this recording)
AmpUnknown (no explicit amp model confirmed for this recording; possible use of amp simulation or direct-in with multi-effects pedal)
Amp Settings
gain7
bass5.5
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Notes
No official or forum sources confirm the exact guitar, pickups, or amp used on the studio recording of the solo for this song. No live rig or studio rundown found. Year: 2020s (song released 2020). Studio recording context assumed.
Tone Character(10)
singing sustaintight, focused attackarticulate note separationmodern, saturated distortionclear delay repeatssmooth legato phrasingcrisp, present highscontrolled feedbackslightly compressed dynamicsmedium reverb ambience
Difficulty
The solo features fast, technical passages with legato and alternate picking, requires precise timing to match delay repeats, and demands clean articulation and control at high gain.
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarUnknown (likely modern Japanese solidbody electric, possibly Ibanez or Fender-style, model not confirmed for this recording)
AmpUnknown (no explicit amp model confirmed for this recording; possible use of amp simulation or direct-in with multi-effects pedal)
Amp Settings
gain7
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No official or forum sources confirm the exact guitar, pickups, or amp used on the studio recording of the solo for this song. No live rig or studio rundown found. Year: 2020s (song released 2020). Studio recording context assumed.
Tone Character(10)
singing sustaintight, focused attackarticulate note separationmodern, saturated distortionclear delay repeatssmooth legato phrasingcrisp, present highscontrolled feedbackslightly compressed dynamicsmedium reverb ambience
Difficulty
The solo features fast, technical passages with legato and alternate picking, requires precise timing to match delay repeats, and demands clean articulation and control at high gain.