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Solo Tone
Interlude
Muse
Guitarrock2000s
Original Gear
GuitarManson MB-1
AmpKemper Profiling Amp (profiled from Diezel VH4 or Marshall DSL, likely studio profile)
Amp Settings
gain0
bass5.5
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Notes
Studio recording, 2003 (Absolution era). Matt Bellamy used a Kemper Profiling Amp live and in studio for this era, often profiling his Diezel VH4 or Marshall DSL amps. No evidence of pedal use for this section; most effects are likely from the amp or Kemper profile.
Tone Character(9)
ethereal and ambientlush reverb tailshimmering, glassy top endsmooth and sustained notesclear, bell-like articulationno audible drive or crunchopen, airy soundstagesubtle dynamic responseclean, uncompressed attack
Difficulty
The solo is technically simple but requires precise clean playing and control of dynamics to maintain the ethereal, exposed character of the part.
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Create Free AccountGuitarrock2000s
Original Gear
GuitarManson MB-1
AmpKemper Profiling Amp (profiled from Diezel VH4 or Marshall DSL, likely studio profile)
Amp Settings
gain0
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2003 (Absolution era). Matt Bellamy used a Kemper Profiling Amp live and in studio for this era, often profiling his Diezel VH4 or Marshall DSL amps. No evidence of pedal use for this section; most effects are likely from the amp or Kemper profile.
Tone Character(9)
ethereal and ambientlush reverb tailshimmering, glassy top endsmooth and sustained notesclear, bell-like articulationno audible drive or crunchopen, airy soundstagesubtle dynamic responseclean, uncompressed attack
Difficulty
The solo is technically simple but requires precise clean playing and control of dynamics to maintain the ethereal, exposed character of the part.