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Riff Tone
Irgendwie, irgendwo, irgendwann
Nena
Guitarrock1980s
Original Gear
GuitarUnknown (likely Fender Stratocaster or similar 1980s superstrat, exact model not confirmed for studio recording)
AmpUnknown (likely Marshall or Roland Jazz Chorus, but no explicit source for studio recording)
Amp Settings
gain4.5
bass5.5
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Notes
No direct evidence for exact guitar or amp used on the studio recording of 'Irgendwie, irgendwo, irgendwann' riff section. Song released 1984, studio version. No official rig rundown or session notes found. Gear inferred from era, genre, and typical German pop/rock production of the time.
Tone Character(10)
bright and slightly compressedchorus shimmertight and percussivearticulate chord definitionclean with mild breakupstudio polishmoderate reverbno heavy distortionpop/rock clarityrhythmic attack
Difficulty
The riff requires tight, syncopated strumming and clean chord transitions with attention to timing, but does not involve advanced techniques or fast playing.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarUnknown (likely Fender Stratocaster or similar 1980s superstrat, exact model not confirmed for studio recording)
AmpUnknown (likely Marshall or Roland Jazz Chorus, but no explicit source for studio recording)
Amp Settings
gain4.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct evidence for exact guitar or amp used on the studio recording of 'Irgendwie, irgendwo, irgendwann' riff section. Song released 1984, studio version. No official rig rundown or session notes found. Gear inferred from era, genre, and typical German pop/rock production of the time.
Tone Character(10)
bright and slightly compressedchorus shimmertight and percussivearticulate chord definitionclean with mild breakupstudio polishmoderate reverbno heavy distortionpop/rock clarityrhythmic attack
Difficulty
The riff requires tight, syncopated strumming and clean chord transitions with attention to timing, but does not involve advanced techniques or fast playing.