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Solo Tone
It Ain't Over 'Til It's Over
Lenny Kravitz
Guitarrock1990s
Original Gear
GuitarGibson ES-335 (likely 1960s vintage, semi-hollow, as seen in period photos and consistent with the tone and era)
AmpPark 75 head (Marshall-style, as stated by Lenny Kravitz in MusicRadar interview for this song's recording)
Amp Settings
gain0
bass6
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Notes
Studio recording, 1991. Lenny Kravitz stated he was 'trying out a Park head' for this song in the studio. No evidence of live rig or alternate guitars for the solo. No pedalboard photos from this session; pedal use inferred from era and audio. No evidence of amp effects loop used.
Tone Character(10)
warm and smoothsoulful and vintageclean and articulatemellow and roundedslightly compressedairy and opendynamic and touch-sensitivesubtle amp reverbno audible drive or breakupneck pickup sweetness
Difficulty
The solo is technically straightforward but demands expressive phrasing, clean execution, and dynamic control to match the song's soulful feel.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson ES-335 (likely 1960s vintage, semi-hollow, as seen in period photos and consistent with the tone and era)
AmpPark 75 head (Marshall-style, as stated by Lenny Kravitz in MusicRadar interview for this song's recording)
Amp Settings
gain0
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1991. Lenny Kravitz stated he was 'trying out a Park head' for this song in the studio. No evidence of live rig or alternate guitars for the solo. No pedalboard photos from this session; pedal use inferred from era and audio. No evidence of amp effects loop used.
Tone Character(10)
warm and smoothsoulful and vintageclean and articulatemellow and roundedslightly compressedairy and opendynamic and touch-sensitivesubtle amp reverbno audible drive or breakupneck pickup sweetness
Difficulty
The solo is technically straightforward but demands expressive phrasing, clean execution, and dynamic control to match the song's soulful feel.