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Riff Tone
Jizz Da Pit
Slash's Snakepit
Guitarrock1990s
Original Gear
GuitarGibson Slash Signature 'Snakepit' Les Paul Standard
AmpMarshall JCM25/50 2555 Silver Jubilee 100W Head
Amp Settings
gain7
bass6
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Notes
Studio recording for 'It's Five O'Clock Somewhere' (1995). Gear confirmed for Slash's Snakepit era and album, specifically used by Slash for riff sections. No evidence of live/touring substitutions for this track.
Tone Character(10)
aggressive and riff-drivencrunchy and full-bodiedthick, sustaining soundtight and drivingBritish-voiced amp crunchclear note definition under gaindynamic pick attackpowerful rhythmic foundationmelodic yet punchyclassic rock gain structure
Difficulty
The riff requires tight, fast alternate picking and palm muting at a brisk tempo, with dynamic control to maintain clarity and punch in a high-gain context.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Slash Signature 'Snakepit' Les Paul Standard
AmpMarshall JCM25/50 2555 Silver Jubilee 100W Head
Amp Settings
gain7
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording for 'It's Five O'Clock Somewhere' (1995). Gear confirmed for Slash's Snakepit era and album, specifically used by Slash for riff sections. No evidence of live/touring substitutions for this track.
Tone Character(10)
aggressive and riff-drivencrunchy and full-bodiedthick, sustaining soundtight and drivingBritish-voiced amp crunchclear note definition under gaindynamic pick attackpowerful rhythmic foundationmelodic yet punchyclassic rock gain structure
Difficulty
The riff requires tight, fast alternate picking and palm muting at a brisk tempo, with dynamic control to maintain clarity and punch in a high-gain context.