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Riff Tone
John the Fisherman
Primus
Guitarrock1990s
Original Gear
Guitar1980s Fender Stratocaster (likely American Standard, stock single coils)
AmpMarshall JCM900 4500
Amp Settings
gain6.5
bass5.5
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Notes
Studio recording, 1990 (Frizzle Fry album). Larry LaLonde used a Stratocaster into a Marshall JCM900 for the main riff sections. Effects confirmed from studio-era sources. No evidence of alternate guitars or amps for this section.
Tone Character(10)
aggressive and saturatedtight and percussivemid-forward British cruncharticulate single-note claritypunchy pick attackslightly scooped but present midsminimal ambiencefuzz-like sustaindynamic response to pickingdistinct Stratocaster brightness
Difficulty
The riff requires tight, fast alternate picking and precise muting to maintain clarity under high gain, with dynamic control to avoid unwanted noise and feedback. The syncopated rhythm and articulation add to the challenge.
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Create Free AccountGuitarrock1990s
Original Gear
Guitar1980s Fender Stratocaster (likely American Standard, stock single coils)
AmpMarshall JCM900 4500
Amp Settings
gain6.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1990 (Frizzle Fry album). Larry LaLonde used a Stratocaster into a Marshall JCM900 for the main riff sections. Effects confirmed from studio-era sources. No evidence of alternate guitars or amps for this section.
Tone Character(10)
aggressive and saturatedtight and percussivemid-forward British cruncharticulate single-note claritypunchy pick attackslightly scooped but present midsminimal ambiencefuzz-like sustaindynamic response to pickingdistinct Stratocaster brightness
Difficulty
The riff requires tight, fast alternate picking and precise muting to maintain clarity under high gain, with dynamic control to avoid unwanted noise and feedback. The syncopated rhythm and articulation add to the challenge.