Back to CommunityCreate Free Account
Riff Tone
Killing in the name of rage against the machine
Unknown Artist
Guitarrock1990s
Original Gear
Guitar1982 Fender American Telecaster (black, with stickers, stock pickups, drop D tuning)
AmpMarshall JCM800 2205 head with Peavey 4x12 cabinet
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1991-1992, Rage Against the Machine debut album. Guitar is always in neck pickup position for all drop D songs including 'Killing in the Name'. No evidence of alternate guitars or amps for this section. No evidence of effects loop or amp-based effects used.
Tone Character(10)
warm neck pickup tonetight and percussive attackpunchy, mid-forward soundraw, unprocessed distortionaggressive and dynamicBritish cruncharticulate note separationminimal effects colorationsinging sustainheavy, driving riff
Difficulty
The riff requires tight, aggressive picking with precise palm muting and dynamic control, but does not involve advanced lead techniques or complex chord voicings.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1990s
Original Gear
Guitar1982 Fender American Telecaster (black, with stickers, stock pickups, drop D tuning)
AmpMarshall JCM800 2205 head with Peavey 4x12 cabinet
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1991-1992, Rage Against the Machine debut album. Guitar is always in neck pickup position for all drop D songs including 'Killing in the Name'. No evidence of alternate guitars or amps for this section. No evidence of effects loop or amp-based effects used.
Tone Character(10)
warm neck pickup tonetight and percussive attackpunchy, mid-forward soundraw, unprocessed distortionaggressive and dynamicBritish cruncharticulate note separationminimal effects colorationsinging sustainheavy, driving riff
Difficulty
The riff requires tight, aggressive picking with precise palm muting and dynamic control, but does not involve advanced lead techniques or complex chord voicings.