Riff Tone
Knock 'Em Dead, Kid
Mötley Crüe
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Notes
Studio recording, 1983-1984 for 'Shout at the Devil'. Mick Mars is widely documented using a modified early '70s Gibson Les Paul Custom with a DiMarzio Super Distortion in the bridge for heavy rhythm tracks on this album. The Marshall JCM800 was his primary amp for high-gain rhythm tones in the studio. No direct evidence of pedal use for the main riff section; distortion is primarily from the amp. No evidence of modulation or time-based effects on the riff section.
Tone Character(10)
Difficulty
This tone has been researched 3 times by the community
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Amp Settings
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This tone has been researched 3 times by the community
Notes
Studio recording, 1983-1984 for 'Shout at the Devil'. Mick Mars is widely documented using a modified early '70s Gibson Les Paul Custom with a DiMarzio Super Distortion in the bridge for heavy rhythm tracks on this album. The Marshall JCM800 was his primary amp for high-gain rhythm tones in the studio. No direct evidence of pedal use for the main riff section; distortion is primarily from the amp. No evidence of modulation or time-based effects on the riff section.