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Solo Tone
La Villa Strangiato
Rush
Guitarrock1970s
Original Gear
GuitarFender Stratocaster (white, heavily modified, aka 'Hentor Sportscaster')
AmpMarshall 50-watt head (likely JMP), Fender Twin Reverb (for clean blend), possibly Hiwatt (less likely for solo), Roland Jazz Chorus JC-120 (for chorus tones, but not solo)
Amp Settings
gain6
bass6
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Notes
Studio recording, 1978. The solo was overdubbed with the Hentor Sportscaster Strat, not the ES-355 used for rhythm. Marshall 50-watt head is the main amp for the solo, with possible Fender Twin blend. Effects are from pedals, not amp. No evidence of live rig or later era gear used on this recording.
Tone Character(10)
singing sustainmetallic, slightly processedmournful and emotiveexpressive bends and swellscrunchy yet smoothclear note separationambient with reverb and delayslightly bright top endharmonics slide into each otherdynamic and touch-sensitive
Difficulty
The solo is considered one of the most technically demanding in classic rock, requiring mastery of phrasing, volume pedal swells, fast runs, and expressive bends, all while maintaining dynamic control and clarity.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarFender Stratocaster (white, heavily modified, aka 'Hentor Sportscaster')
AmpMarshall 50-watt head (likely JMP), Fender Twin Reverb (for clean blend), possibly Hiwatt (less likely for solo), Roland Jazz Chorus JC-120 (for chorus tones, but not solo)
Amp Settings
gain6
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1978. The solo was overdubbed with the Hentor Sportscaster Strat, not the ES-355 used for rhythm. Marshall 50-watt head is the main amp for the solo, with possible Fender Twin blend. Effects are from pedals, not amp. No evidence of live rig or later era gear used on this recording.
Tone Character(10)
singing sustainmetallic, slightly processedmournful and emotiveexpressive bends and swellscrunchy yet smoothclear note separationambient with reverb and delayslightly bright top endharmonics slide into each otherdynamic and touch-sensitive
Difficulty
The solo is considered one of the most technically demanding in classic rock, requiring mastery of phrasing, volume pedal swells, fast runs, and expressive bends, all while maintaining dynamic control and clarity.