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Solo Tone
Lay It On The Line
Triumph
Guitarrock1970s
Original Gear
GuitarGibson ES-335 (likely 1970s model, sunburst finish)
AmpMarshall JMP 50-watt head (1970s, likely with 4x12 cabinet)
Amp Settings
gain6.5
bass6
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Notes
Studio recording, 1979. Gear inferred from era, photos, and interviews about Triumph's studio setup for 'Just a Game'. No direct source confirms exact serial/model, but ES-335 and Marshall JMP are widely cited for Rik Emmett's studio work on this album.
Tone Character(10)
singing sustainsmooth and vocal-likeclassic British crunchrich harmonic overtonesslightly boosted midsclear note definitiontouch-sensitive responsenot overly compressedwarm upper midsarticulate attack
Difficulty
The solo requires advanced phrasing, fast legato passages, and expressive bends, all while maintaining clarity and control with modulation effects active.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarGibson ES-335 (likely 1970s model, sunburst finish)
AmpMarshall JMP 50-watt head (1970s, likely with 4x12 cabinet)
Amp Settings
gain6.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1979. Gear inferred from era, photos, and interviews about Triumph's studio setup for 'Just a Game'. No direct source confirms exact serial/model, but ES-335 and Marshall JMP are widely cited for Rik Emmett's studio work on this album.
Tone Character(10)
singing sustainsmooth and vocal-likeclassic British crunchrich harmonic overtonesslightly boosted midsclear note definitiontouch-sensitive responsenot overly compressedwarm upper midsarticulate attack
Difficulty
The solo requires advanced phrasing, fast legato passages, and expressive bends, all while maintaining clarity and control with modulation effects active.