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Solo Tone
Let Her Cry
Hootie & The Blowfish
Guitarrock1990s
Original Gear
Guitar1973 Gibson Les Paul Standard (Cherry finish)
AmpMesa/Boogie .50 Caliber head into vintage Marshall 4x12 cab
Amp Settings
gain4
bass6.5
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Notes
Studio recording, 1994. Mark Bryan used the Les Paul Standard for most electric parts on 'Let Her Cry' and tracked through a Mesa/Boogie .50 Caliber head into a Marshall cab. No evidence of live rig or alternate guitars for the solo section.
Tone Character(10)
singing, vocal-like sustainsmooth and slightly compressedwarm midrangearticulate single-note claritytouch-sensitive, dynamic responsemild breakup, not high-gainclassic 90s alternative rock leadsubtle amp reverb for spaceslightly rounded top endexpressive, melodic phrasing
Difficulty
The solo is melodic and expressive, requiring control over bends and vibrato, but does not involve advanced techniques or fast passages.
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Create Free AccountGuitarrock1990s
Original Gear
Guitar1973 Gibson Les Paul Standard (Cherry finish)
AmpMesa/Boogie .50 Caliber head into vintage Marshall 4x12 cab
Amp Settings
gain4
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1994. Mark Bryan used the Les Paul Standard for most electric parts on 'Let Her Cry' and tracked through a Mesa/Boogie .50 Caliber head into a Marshall cab. No evidence of live rig or alternate guitars for the solo section.
Tone Character(10)
singing, vocal-like sustainsmooth and slightly compressedwarm midrangearticulate single-note claritytouch-sensitive, dynamic responsemild breakup, not high-gainclassic 90s alternative rock leadsubtle amp reverb for spaceslightly rounded top endexpressive, melodic phrasing
Difficulty
The solo is melodic and expressive, requiring control over bends and vibrato, but does not involve advanced techniques or fast passages.